

Nigerian music artist Cletus Omodia, popularly known as Cletus Gray, has announced the release of his spiritually inspired track “Altar”, one of the standout songs from his latest album, Strange Voice.
Hailing from Igbanke in Edo State, Cletus Gray describes Altar as a song rooted in deep spiritual symbolism. According to him, an altar represents a place of covenant—one that can either be godly or ungodly. He explains that while godly altars serve as sacred places where believers communicate with God, satanic altars are places where those who do not trust in God seek power.
Cletus Gray believes the message in Altar carries divine strength, offering hope and spiritual liberation. “The Godly altar breaks every curse—upon you, your family, and everything connected to you—as you listen to this song,” he said.
Fans are encouraged to follow @CletusGray on all social media platforms and stream the full Strange Voice album on all major music platforms.
The phenomenal singer, music minister, worship leader, and renowned Nigerian artist, Onyii Uckings brought to us an amazing release of her song titled "Ngozi Chukwu" feat Evang. Amarachi Joy produced by Obiroyce. This song has so far been a blessing to lives, as people in Africa and beyond keep singing “Ngozi Chukwu” and testifying how GOD has blessed them after listening to this song. You’ll be blessed by this song.
Onyii Uckings is an amazing singer and music minister that has never failed in delivering a remarkable release to keep you worshiping and receiving blessings. Her upcoming song beautifully captures the awe and joy of this special phase in her musical career.
Through her soulful musical creation, Onyii Uckings celebrates the testimony of blessing lives through her music, delivering an uplifting addition to her musical repertoire. Her emotional lyrics and melodious voice eloquently convey the beauty and significance of this transformative journey into her musical career.
Download, Stream, Share, and keep being blessed always.
A Nigerian short film is making significant waves on the international film scene. “Tears for Enebi”—a 16-minute film portraying the real-life ordeal of Enebi Annah, a celebrated beauty queen and poet—tells the harrowing story of how her life is upended when her trusted mentor and confidant rapes her. The deepest betrayal, however, is revealed in a shocking twist: the perpetrator also leads Africa’s most prominent anti-rape organization.
Since its debut, the film has been selected for nearly 20 film festivals worldwide, including the Independent Short Awards in Los Angeles, where it took home two major honors: Best Women Short Film and Best Actress for Rahmah Zakareeyah’s powerful lead performance. The film has also been featured at The Film Collective Film Festival in Virginia, among many others. Its most recent accolade comes with its selection for the Miami Beach Film Festival, marking it as one of the few African short films to be showcased at the prestigious event, scheduled for May 5th, 2026.
“Tears for Enebi” is produced by Godspower Oshodin, in association with Solution Media Studios, Mogson Productions, Purplemat Entertainment, and M2Net Studios. It is co-directed by Seun Manuel Faleye, Peter Atigogo, and Sunki, and features a talented cast including Foluke Daramola, Rahmah Zakareeyah, Seunmanuel Faleye, Kika Oshodin, and Aitaya Hansley.
This short film forms part of a larger series of advocacy-driven stories from Godspower Oshodin, which also includes upcoming projects such as “With Last Debt” and “I Don’t Blame You.” These films are slated for release later this year and are currently screening at festivals across America, Europe, Asia, and Africa.
Rahmah Zakareeyah, the internationally recognized award-winning actress who plays Enebi Annah, said:
“It is a breath of fresh air to be part of this journey. I always look for ways to contribute to societal sanity. Rape is highly condemnable, and I did my best to embody Enebi’s character with all the respect and empathy she deserves.”
Veteran Nollywood actress Foluke Daramola, who made a guest appearance, shared:
“When Dr. Oshodin invited me to be part of his anti-rape film ‘Tears for Enebi’, it was an immediate yes. Advocating against rape and abuse has been my passion since I was a young girl—it’s why I founded Passion Against Rape and Abuse in Africa (PARA Africa). ‘Tears for Enebi’ is a powerful story that directly addresses these urgent issues—and what makes it even more profound is that it is based on a true story.”
Fast-rising music sensation Big Light is back with a brand-new single titled “My Valentine,” a smooth and emotionally charged love song created to soundtrack the season of affection, connection, and real feelings.
“My Valentine” blends catchy melodies with heartfelt lyrics, showcasing Big Light’s unique ability to turn everyday love stories into relatable music. The song celebrates loyalty, admiration, and the joy of having someone special making it a perfect pick for Valentine’s season and beyond.
Speaking on the release, Big Light describes My Valentine as a song for everyone who loves deeply, loves honestly, or believes in love no matter the circumstances. The track is designed to resonate with couples, singles, and music lovers who appreciate authentic vibes and soulful delivery.
With its infectious rhythm and memorable hook, “My Valentine” is already gaining attention and is set to become a fan favorite across playlists, social media, and dance challenges.
“My Valentine” is now available on all major streaming platforms.
Fans and music lovers are encouraged to stream, share, and add the song to their playlists to support Big Light’s journey.
Stream “My Valentine” now and feel the love.
Don’t forget to share with your Valentine.

Nigerian singer and songwriter Gabriel Omavoran Williams, professionally known as KiNg TeMi, releases his new single “Amala Meji,” a socially reflective Afro-soul and Afrobeats record that examines themes of inequality, greed, and the emotional cost of silence in the face of imbalance.

Built on metaphor and repetition, Amala Meji tells a universal story: many people rely on a figure meant to protect and provide, only for that figure to become self-serving and disconnected. Through chant-driven hooks, indigenous expressions, and street-rooted lyricism, the song asks what happens when shared resources are controlled by a few while others are left to endure quietly.
Rather than adopting an aggressive or overtly political tone, Amala Meji speaks with restraint and emotional clarity. Its power lies in its relatability, capturing the quiet frustration of people who recognize injustice but feel unable to challenge it openly.
Commenting on the inspiration behind the record, KiNg TeMi says:
“This song comes from observation and feeling. It’s about moments when things don’t feel fair, but people are expected to stay silent. Amala Meji isn’t about attacking anyone; it’s about expressing a reality many people live with every day.”

KiNg TeMi’s sound reflects a rich blend of soulful melodies and Afrobeats, shaped by contemporary influences and deep musical heritage. His artistic foundation draws from classic Nigerian music, including Juju legends I.K. Dairo, King Sunny Ade, and Dele Abiodun, as well as the revolutionary work of Fela Anikulapo Kuti, sounds he absorbed early through his late father’s stereo.
Although his musical journey formally began in high school, KiNg TeMi’s connection to music goes beyond passion or profession. Born and raised in Lagos, Nigeria, with roots in Delta State, his early influences included Hip-hop artists like Junior and Pretty, particularly their hit “Monica.” Music has always been an intrinsic part of his life, a connection that shapes his approach to storytelling, sound, and expression.
Amala Meji is now available on digital platforms, including TikTok, where listeners are encouraged to use the sound to share personal stories, emotions, and reflections on everyday imbalance. The song’s relatable themes and unique blend of Afro-soul and street-rooted lyricism position it as more than just music, it’s a potential shared emotional language for listeners.
“Amala Meji” is available today on all major streaming platforms worldwide.

As the Recording Academy honors Fela Anikulapo Kuti with a historic Lifetime Achievement Award, global attention has once again turned to the Kuti family, not only for legacy, but for the individuals actively shaping Afrobeat’s modern presence. On Saturday night at the Grammys Special Merit Awards, Fela Kuti was honored alongside music icons Chaka Khan, Cher, Carlos Santana, Paul Simon, and Whitney Houston, placing Afrobeat firmly within the canon of global music history. The honour was presented by the Recording Academy in Los Angeles, with his children, Yeni, Femi, Kunle, and Shalewa Kuti, accepting the award on his behalf, celebrating his lasting Afrobeat legacy. One name drawing renewed interest amid this moment is Shalewa Kuti.

We’re so proud, this is for Africa. I’m so honoured to be his daughter. This honour reminds us that although his voice was often resisted, it was never silenced. The award is a celebration of his courage, his art, and his unwavering commitment to freedom and dignity,” Shalewa Kuti said.
Shalewa Kuti, born Omosalewa Anikulapo-Kuti, is far from a background figure in Afrobeat history. She is a DJ, music producer, creative entrepreneur, and studied law, known in music circles as DJ Shaarks. Her work places her at the intersection of Afrobeat’s roots and its contemporary global evolution, a position that has become especially relevant as the Grammys spotlight Afrobeat’s origins.

Unlike the performance-led paths of some of her siblings, Shalewa carved her own lane behind the scenes and on the turntables. She studied Mass Communication at Moshood Abiola Polytechnic before going on to study law at the University of Lagos. Her academic background reflects a deliberate blend of media, communication, and legal knowledge, tools that later informed her approach to music, culture, and creative business.
Her career spans DJ culture, music production, and event curation, with a clear focus on Afrobeat-inspired sounds and cross-border collaborations. Under her imprint Shaarks Music, she has released and promoted projects that connect Afrobeat’s foundational sound with contemporary African club culture, including collaborations with South African artists and DJs.
Shalewa Kuti has also played a direct role in expanding Afrobeat’s global footprint through her involvement with Felabration, the annual celebration of Fela’s life, music, and political legacy. In 2019, she organized Felabration UK, helping take the festival beyond Nigeria and introducing Afrobeat’s history to new international audiences, a move that closely mirrors the Grammys’ growing recognition of African music and its origins.

The timing of Fela Kuti’s Grammy Lifetime Achievement Award has placed renewed emphasis on Afrobeat’s origin story, especially as Afrobeats continues to dominate global charts and festivals. For many observers, Shalewa Kuti represents a bridge between these two worlds: the politically charged Afrobeat foundation created by Fela, and the modern African music ecosystem shaped by DJs, producers, and cultural curators.
In past conversations, Shalewa has acknowledged the weight of carrying the Kuti name, describing it as both a responsibility and a challenge. Yet her career choices reflect a clear intention to build credibility on her own terms, through education, technical skill, and consistent participation in the music ecosystem rather than symbolism alone.

As Grammy conversations continue to spotlight Afrobeat’s influence on global music, Shalewa Kuti’s name is increasingly surfacing as audiences look beyond the icon and toward the people actively sustaining and evolving the culture today.
With Afrobeat now formally recognized by the Recording Academy, the focus is no longer only on where the sound came from, but on who is shaping where it goes next. And in that conversation, Shalewa Kuti stands firmly in the frame.

The prolific, phenomenal singer, music minister, worship leader, and renowned Nigerian artist, Evang. Chinenye Chukwu, brings to us an amazing release of her song titled “Ogworom Oria“ produced by Obiroyce. This song has so far been a blessing to lives, as people in Africa and beyond keep singing “Ogworom Oria” and testifying how GOD has healed them after listening to this song. You’ll be blessed by this song.
Evang. Chinenye Chukwu is an amazing singer and music minister that has never failed in delivering a remarkable release to keep you worshiping and receiving healing. Her upcoming song beautifully captures the awe and joy of this special phase in her musical career.
Through her soulful musical creation, Evang. Chinenye Chukwu celebrates the testimony of blessing lives through her music, delivering an uplifting addition to her musical repertoire. Her emotional lyrics and melodious voice eloquently convey the beauty and significance of this transformative journey into her musical career.
Download, Stream, Share, and keep being blessed always..

Tyler Vybe, the fast rising young Abuja-based crooner Signed to Hashtag Entertainment, just released “Change Am” a very dance-able Afro-Pop song featuring Terry Apala, the apala-swag king.
This is the second single off the forthcoming 'BIG VYBE' EP for the NILE UNIVERSITY Abuja student - TYLER VYBE @tylervybe. The 'BIG VYBE' EP features industry greats like OBESERE, MIKE ABDUL and TERRY APALA.
“Change Am” featuring Terry Apala is available on YouTube and every other digital platform. Enjoy!

Jesun Toba, a UK-based composer, singer, choir director, and keyboardist with over 18 years of experience in choral music and worship leadership, has released his new single “Thick n Thin.” The track, now streaming on major digital platforms, has been receiving positive reviews for its emotive depth, refined composition, and strong musical delivery.
“Thick n Thin” highlights Jesun Toba’s growth as a songwriter and recording artist, showcasing his ability to blend heartfelt expression with disciplined musical structure. The release marks a notable moment in his transition from ensemble-led ministry performance to broader public-facing music distribution.
Jesun Toba’s musical journey began in 2001 at Christ Love Evangelical Ministry (CLEM), Nigeria, where he developed foundational skills as a vocalist and musician. Over the years, he has served in multiple leadership capacities across Nigeria and the United Kingdom, including as choir director, music coordinator, and church keyboardist.
In December 2023, he relocated to the United Kingdom and currently serves as Choir Director and keyboardist at Charis Family International Church (Charis Northumberland). Alongside his church leadership, he continues to compose music for screen and commissioned projects, with additional original releases planned for 2026.

UK-based Nigerian singer Dasaroco has officially dropped a brand new EP titled All For Love, released in celebration of the season of love. The project showcases his smooth sound and emotional depth, with standout tracks including “Fall In Love,” “Stand By Love,” and “Trophy.”
Speaking on the release, Dasaroco revealed that this EP is only the beginning. The fast-rising artist hinted at a wave of new music set to hit stores soon, urging fans to stay expectant. According to him, what’s coming next is “mind-blowing,” as he continues to carve a lane for himself in the industry with a unique style and a mission to make lasting impact.
With All For Love, Dasaroco reinforces his passion for love-driven music while setting the tone for an exciting run ahead.

“Bitter Pill” explores the difficult moments that come with accepting uncomfortable truths, especially in relationships that no longer serve their purpose. With heartfelt lyrics layered over smooth production, the song reflects on emotional betrayal, self-awareness, and the strength it takes to walk away. Ginika’s vocals are tender yet firm, allowing listeners to feel every emotion embedded in the record.
The single stands out for its authenticity. Rather than masking pain with upbeat sounds, Ginika leans into vulnerability, offering listeners a song that feels personal and relatable. Her storytelling shines as she addresses the silent struggles many face when love turns sour, making “Bitter Pill” a song that speaks directly to the heart.
Since its release, the track has begun gaining attention among fans of Afro-soul and contemporary R&B, with listeners praising Ginika’s emotional depth and maturity. The song further solidifies her place as an artist unafraid to be honest, even when the truth is uncomfortable.
With “Bitter Pill,” Ginika continues to build a strong artistic identity rooted in sincerity and emotional connection. The single is not just a song but a reminder that sometimes healing begins when we accept the hardest truths.
Saturday, 7 March 2026 — W.O.W Africa 50 Women Honours
Taking place on the eve of International Women’s Day at @sandtonhotel, the W.O.W Africa 50 Women Honours will recognise exceptional African women whose work continues to shift economic narratives and transform sectors across the continent. The honourees span multiple fields — from business, finance and public leadership to health, mining, innovation, fashion, environmental advocacy and media.
The recognition is crafted to celebrate meaningful contribution, resilience and measurable impact rather than popularity. Profiles of the honourees will appear in the upcoming edition of W.O.W Business Magazine, a curated publication that documents the leadership ethos, experiences and achievements of African women shaping the continent’s future.
Monday, 9 March 2026 — W.O.W Africa 100 Founding Members Breakfast
Following the honours ceremony, W.O.W will convene the W.O.W Africa 100 Founding Members Breakfast — an exclusive, closed-door chamber intended for strategic engagement among top women leaders, investors, entrepreneurs and professionals.
The session is structured as a high-level dialogue focused on:
• Building shared influence rather than individual competition
• Strengthening cross-border cooperation among African women
• Expanding wealth creation through ownership, access and strategic partnerships
• Developing African-led institutions and economic ecosystems
• Advancing collective economic power beyond recognition and awards
This gathering reflects W.O.W’s conviction that the continent achieves progress faster when women collaborate intentionally and consistently.
The Vision of W.O.W Africa
Founded by South African entrepreneur and wealth strategist Lelo N, W.O.W Africa was created to fill a major gap in the leadership and economic development landscape. While African women increasingly drive growth and innovation, few platforms fully centre their economic voice, strategic collaboration and multi-generational legacy.
Fluent in Kiswahili and active in continental engagement, Lelo N champions a vision of cross-cultural accessibility and pan-African inclusion. “W.O.W Africa is about amplifying shared power,” she said. “It is about women shaping markets, influencing policy and opening opportunities collectively across borders.”
W.O.W Africa operates as an interconnected ecosystem that brings together recognition, dialogue, storytelling and partnership — all in service of Africa’s long-term prosperity.
Looking Ahead — W.O.W Africa 50 Men
As part of its broader commitment to inclusive leadership, W.O.W Africa will host W.O.W Africa 50 Men on 6 June 2026. The event will recognise influential African men who model ethical leadership, support women’s advancement and contribute to building a more inclusive and collaborative economic landscape.
Together, these platforms reinforce W.O.W Africa’s belief that sustainable development and continental progress are achieved through partnership, not rivalry.
W.O.W Africa is presented by The Lelo N Foundation and The House of W.O.W, reflecting their shared commitment to African excellence, prosperity and legacy-driven leadership.
“I made this for the men who really try,” says Jessenation. “The ones who don’t talk too much, just show up, stay solid, and love right.” Built for repeat listens, Superman carries an easygoing yet confident vibe, making it perfect for cruising,
hanging out, or reflecting on love. The record marks another step forward in Jessenation’s evolving sound as he continues to connect with listeners through honest, feel good music that resonates.
“Superman” is out now on all major streaming platforms.
Fans are encouraged to follow Jessenation on social media for updates, exclusive content, and upcoming releases.
About Jessenation
Jessenation is an American based Afrobeats artist known for blending infectious rhythms with relatable storytelling. His music lives at the intersection of confidence and emotion, records you can dance to while still feeling the message. He is known for standout releases such as Fire Party, Fine Lady, Fever featuring BOC Madaki, Redemption featuring Jesse Jagz, and Cold Summer featuring Magnito




Olayinka Adebayo, popularly known as Dr. Crack, has consistently anchored his work in the creative and audio industry on a clear philosophy: sustainable industry growth must begin with deliberate and structured talent development.
Over the years, his contributions have extended far beyond commercial projects. Through an annual free summer training programme for teenagers, Adebayo has continued to invest significant time, resources, and expertise in early-stage creative education. The initiative introduces young participants to audio, media, and technology-driven creative disciplines at a formative stage, offering structured learning, mentorship, and real-world exposure rather than surface-level inspiration.
Sources familiar with the programme note that its scope goes beyond technical instruction. Participants are exposed to professional standards, work ethics, and the evolving role of technology in creative production. The objective, observers say, is to prepare young creatives not only for today’s tools but for an industry being rapidly reshaped by digital systems, automation, and emerging technologies.
Earlier this year, Adebayo reinforced this stance during a closed-door meeting with select stakeholders in the audio and creative sector. Addressing experienced practitioners, business owners, and key decision-makers, he made a strong case for increased investment in structured training and talent incubation. He stressed that the industry’s long-term viability depends on how effectively it prepares the next generation for technology-driven workflows.
In his remarks, Adebayo highlighted a growing disconnect between industry expectations and the readiness of upcoming creatives. While technology continues to advance rapidly, access to guided learning, mentorship, and professional environments remains limited for many young talents. He warned that without deliberate intervention, the gap between opportunity and preparedness will continue to widen.
Rather than treating the issue as a short-term challenge, Adebayo framed it as a strategic responsibility. He urged industry leaders to move beyond passive talent consumption and adopt more sustainable models that prioritize training, knowledge transfer, and long-term capacity building.
According to him, investment in people is no longer optional if the industry intends to remain relevant in an evolving technological landscape.
These initiatives and conversations form part of a broader commitment to shaping an ecosystem where creativity and technology develop in tandem. For Adebayo, the focus remains on building pathways that connect experience with access, legacy practices with modern systems, and emerging talent with practical, future-ready skills.
Industry observers describe his approach as one marked by quiet execution, deliberate collaboration, and impact over visibility. Whether through youth training programmes or high-level industry engagements, the underlying objective remains consistent: preparing creatives for a future that demands both artistic sensitivity and technical competence.
In an industry often driven by immediacy, Olayinka Adebayo’s long-term perspective continues to stand out reinforcing a simple but often overlooked truth: the future of the creative and audio industry will be defined not just by technology, but by how well people are prepared to use it.

Ghanaian music artist Jeff Stereo delivers a heartfelt new single titled “I Love You,” a smooth and emotionally resonant record that highlights his versatility, sincerity, and growing presence in the African music scene.
A Soulful Expression of Love and Emotion
I Love You is a melodic love song that captures the raw emotions of affection, commitment, and vulnerability. Blending contemporary African sounds with soothing rhythms and heartfelt lyrics, Jeff Stereo creates a track that speaks directly to lovers, couples, and anyone who appreciates authentic romantic music.
The song’s warm production, gentle instrumentation, and Jeff Stereo’s expressive vocal delivery make I Love You an ideal soundtrack for intimate moments, playlists centered on love, and late-night listening.
Jeff Stereo on the Song
Speaking on the inspiration behind the single, Jeff Stereo shares:
“This song is about real love — the kind you feel deeply and express honestly. I wanted something simple, emotional, and timeless.”
Now Streaming
I Love You is now available for streaming on Audiomack.
Listen HERE
About Jeff Stereo
Jeff Stereo is a Ghanaian music artist known for crafting emotionally driven songs that blend modern African sounds with relatable storytelling. With a focus on love, life, and real experiences, he continues to build a loyal audience and establish himself as an emerging voice in Ghana’s evolving music landscape.


Baddest DJ Timmy, has kicked off the year on a high note with the release of a brand new single titled “Touchdown.”
The energetic track features street-hop sensation Terry Apala, whose unique fusion of Apala rhythms and contemporary sounds adds depth and vibrancy to the song. “Touchdown” delivers an infectious blend of upbeat production, catchy lyrics, and dance-ready vibes, making it a strong contender for playlists and party rotations this new year.
With this collaboration, Baddest DJ Timmy once again proves his ability to bring together exciting talents to create sounds that resonate with music lovers across the country. Fans can expect “Touchdown” to dominate airwaves and clubs as the year unfolds.

The Day The Heart Died has emerged winner of Best Short Film at the 2025 Africa International Film Festival (AFRIFF), marking a significant milestone for its producers and reaffirming the growing influence of independent Nigerian cinema on the global stage.

The award-winning short film was executively produced by Samuel Ojetola, whose strategic oversight and creative leadership played a central role in shaping the project from development to international recognition. Known for his philosophy that impactful storytelling is driven by vision rather than budget, Ojetola continues to champion emotionally grounded and culturally resonant narratives.

Beyond The Day The Heart Died, Ojetola’s body of work reflects a deliberate push toward elevated genre storytelling. His recent project, Demon in the Glass, is currently showing on Africa Magic Showcase (Channel 151), DStv, GOtv (Channel 8), and streaming on Showmax, further cementing his presence within mainstream African distribution platforms.


Produced under Mysticum Studios and Captain Abbey Film Production, Demon in the Glass demonstrates the producer’s commitment to stories that explore psychological tension, moral conflict, and spiritual undertones—hallmarks of the creative direction he is carving within Nollywood.
Speaking on the AFRIFF win, the producer acknowledged the collective effort of the cast and crew whose dedication brought The Day The Heart Died to life. The recognition also underscores Mysticum Studios’ growing reputation as a production house focused on bold, character-driven films with global appeal.

With multiple projects currently in development across short and feature-length formats, Samuel Ojetola continues to position himself as a key voice in the new wave of Nigerian producers redefining narrative depth, genre ambition, and international relevance.